Showing posts with label Patton. Show all posts
Showing posts with label Patton. Show all posts

Saturday, June 9, 2012

The Oscar Project #43: Patton (1970)



Among Oscar winners, anyway, war films have tended to be character studies, rather than broad action movies. That’s understandable; the people involved in the wars are typically more interesting (to me, at least) than who wins and loses particular battles. War often brings out the very best and very worst of people, so it can lead to some fascinating cinema.

Just think about the films that have won so far. Even the very first Best Picture winner, Wings, was a war movie that focused on two pilots (and their love triangle, also a favorite of the Academy). In more recent years, there’s been Lawrence of Arabia and The Bridge on the River Kwai, the latter of which was in some sense a war movie but was more interested in Colonel Nicholson’s devotion to being a leader of men than it was in any bigger picture.

And now we have Patton, a hybrid war movie/biopic that examines a small period in the military life of General George S. Patton, one of the most successful and controversial men in the history of the American military.

Friday, June 8, 2012

The Oscar Project Interlude #4: Best of the 1960s



Here we are, on the brink of the 1970s. I couldn’t be more excited. The musical-heavy 1960s weren’t as bad as I expected, but I’m still glad they’re over, if only so I can get into what promises to be the best decade of Oscar winners from top to bottom. There are individual winners in other decades that may match up, but no time period matches the overall quality of the 1970s.

The 60s were somewhat uneven, but in addition to the musicals, which I’ve talked about ad nauseum, there was also a glut of British-made films: Lawrence of Arabia, Tom Jones, and A Man for All Seasons. Between 1961 and 1968, In the Heat of the Night was the only American-made non-musical Best Picture winner. As opposed to the 1970s, which contains 10 American-made non-musical winners.