Showing posts with label Myrna Loy. Show all posts
Showing posts with label Myrna Loy. Show all posts

Sunday, May 13, 2012

The Oscar Project #19: The Best Years of Our Lives (1946)



In some sense, The Best Years of Our Lives is a war film, but it tells a much different story than the ones we are used to. It is concerned with a different type of battle, specifically the struggles faced by soldiers returning from World War II. The three main protagonists were no longer fighting for life and death; instead, they were struggling to regain a sense of normalcy that had been lost in their years overseas.

The three leads—Homer, Fred, and Al—begin the film attempting to get back to their home town, the fictional Boone City. It’s located somewhere in the Midwest, and it appears to be a suburb. The details are never explicitly discussed, but it’s small enough so that the three men, who were complete strangers until the trip back home, find their lives to be completely intertwined over the following weeks.

All three came from very different walks of life. Dale grew up in poverty and married a woman he barely knew days before he shipped out. Al is older, married for 20 years with a teenage daughter, and is a banker; he even has a promotion waiting for him upon his return. But he’s also an alcoholic, which being home only serves to exacerbate. Homer comes from a middle class family and has a fiancĂ©e, but his struggle is the most difficult of all. He lost both of his hands in the navy and has hooks as replacements.

Wednesday, May 2, 2012

The Oscar Project #9: The Great Ziegfeld (1936)



I’ll be honest. I was already biased against this movie before I ever started watching it. It’s a musical, and it’s over three hours long.  Neither of those things inspired much optimism in me. I knew it would be a chore to make it through the whole thing.

But it was worse than that. After the movie started with a 4 minute, 51 second musical overture, followed by over 2 minutes of opening credits, I could tell it was going to be a struggle. And then a truly pernicious thing happened; the first 45 minutes were actually pretty good! William Powell, playing Florenz Ziegfeld of Ziegfeld Follies fame, put the team on his back and made it more entertaining than it had any right to be.

This sounds like a positive, but it was pernicious because it lulled me into a false sense of security. I would have preferred it just be bad all the way through rather than getting my hopes up and pulling the rug out from underneath me. The last two hours of the movie were mostly just footage of Ziegfeld’s stage productions.