[Yar! There be spoilers ahead]There’s something about exploration science fiction (for
lack of a better term) that really appeals to me. Some of my favorite sci-fi is
just about people going out into the unknown and looking around and poking at
things. There’s something that’s just so
cool about that: some ragtag crew (with something to prove! And hidden
agendas!) flying out into space and landing on an new planet or spaceship or
whatever and throwing on the ol’ spacesuits and walking out there all slow and
cautious and scanning everything. I love it.
I love that feeling of the unknown. It’s so crazy because
even though you don’t know what you’re going to discover inside that crazy
temple building, just discovering that it’s there has already completely
changed the course of humanity. Just seeing the thing has reshaped the world,
but everyone has to focus on what else is in there to find out what happens to
them. It makes everything so tense-you know every weird picture or strange
button they see is going to be important later and you’re trying to piece
everything together just like they are.
So I loved Prometheus. Like, a lot. Especially the first
hour—I was floored. It hit every note for me. The scenery was gorgeous. The
crew was a good mix. There were some interesting themes emerging about who
creates who and meeting your maker and all that. I loved the very first scene,
with the giant flying saucer (that looked heavy,
alien ships never look heavy) and the dude that jumped into the
awesome looking waterfall. I loved the first walks inside the alien
temple/building/spoiler. Where they walk into the room with the giant face and
all the weird pots and stuff – you just know
something crazy is going to go down! What’s in the pots? It was one of those
perfect sci-fi scenes where everything is strange and odd but it all looks like
it made sense to whatever alien was there in the past, so you know there’s an
explanation and it’s Ridley Scott so someone is going to die.
Weird giant head with room full of vases. What could go wrong? |
This is all great science fiction to me. The sense of awe,
and the questions you ask, and the curiosity and the danger and everything all
came together really well for me. I was totally sucked in.
But as a I-need-to-be-all-ready-to-sound-smart-and-objective-so-let’s-be-critical-about-this
person, I started thinking more about Themes and Plot and Character and I’m not
sold, for a lot of reasons and things, that this was a “good” movie. It left
too many untied ends. It tried to do too much, too quickly. It got messy in the
wrong way.
I’ve been talking to
Chris lately about critics and objectivity and who can rate movies and who can
say what. Can a movie be objectively good, by some Special Criteria, or should
it be judged by how I personally feel after having experienced it? I’m torn between giving this an A+ (for how I
felt when watching it) and a B- (when I objectively picked it apart later).
But honestly, I haven’t been this excited about a movie in a
long time. I have a very hard time thinking of a sci-fi movie that has come out
since the Matrix that I like better. It brought me back to all those books I
loved as a kid, and it made me wonder about those classic sci-fi questions that
I hadn’t thought about in a while. I’d absolutely see it again, and again.
The more I think about this movie, the more I find myself getting angry for all the things it got wrong. I mean, they didn't even manage to get the engineer into the chair when he died, so there's no real link to that iconic shot from Alien. And there's the tacked-on bit about how Shaw can't have kids, just to make her vulnerable. And the melodramatic reveal of Charlize's character as Guy-Pearce-in-an-old-suit's daughter.
ReplyDeleteAnd the bit about how apparently nobody is smart enough to run at a 90 degree angle from the thing trying to crush them.
This movie makes me happy I never watched Lost.
As for a sci-fi movie since The Matrix that I liked better, per our conversation last week, definitely Inception.